So I wrote version #2 Īnd wouldn’t you know that the wood of the crossĪnd the hammer they used would cause Him such lossĬloser, but it lacked any wit. Not a bad lyric, but as I read it I realized that this was a song about a house, NOT about nails in the carpenter’s hands. (chorus) Nails in the hands of a carpenter… So He bought it and moved it to solid groundĪnd with His own hands He made this house His home Then a carpenter came and said “I love this old house The first verse of the first version went like this I might use the lyrics another time, but they did not communicate what I was trying to say. That is, I have three completely different versions of the same song. I have a song called “Nails In The Hands Of A Carpenter” that I have written three times. But if it doesn’t fit the One Thing you are writing about in this song, be ruthless and throw them out. You may have to omit lyrics you really like. Now you must carve away at it until there is nothing left but what belongs. You fill up a couple of pages with ideas. You write loads of words over an evolving chord progression. The lyric and the melody seem to fit well together. It is much harder to write a simple song than it is to write a complex one. Handel’s “Hallelujah” chorus is another good example. It has wonderfully interesting chord changes and a great melody, and the lyric is exquisite perfection simple and to the point. One of my favorite songs, “Lush Life,” was written by Billy Strayhorn when he was sixteen years old. Examples of this are easy to find in pop music- “Don’t Worry, Be Happy,” “I Want To Hold Your Hand,” That’s The Way, Uh-huh, Uh-huh, I Like It,” anything by Britney Spears- but don’t think that these are simple only because they’re mindless. On the contrary, the very best, most sophisticated lyrics have been pared down to the absolute bare minimum. Beginning songwriters can suffer from the misconception that a sophisticated song needs more words. Just like in prose or public speaking, a powerful message is a focused message. I am of the opinion that when you say two things in a song, you cut the power of the song in half.
Had I also talked about the power of God, or His great love, I would have diminished the power of the song. I wrote a worship song called “In My Life, Lord, Be Glorified.” There are only five notes to the melody of the chorus and only seven words in the lyric. If your lyrics speak about the goodness of God, don’t speak about impending judgment. If you are writing a song about mercy, don’t introduce the subject of love save that for another song. So, I’d like to make up for my past sins and give you some serious, straightforward songwriting tips. They were actually taking this seriously. The class seemed to be paying attention, taking notes and all. Some were really, really offended (Perhaps they were spectacularly successful at writing mediocre songs and didn’t like me giving the secrets away.) Others laughed with me, and maybe at me… I don’t know.Īt the recent Christian Musician’s Summit I taught a class on songwriting. I received many emails with many different takes on what I’d written.
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Stay tuned to this official channel of Levites Music for more updates.Awhile ago I wrote an article titled “ How To Write A Really Mediocre Worship Song.” It was a tongue in cheek examination of good song-writing in reverse. 2021 Christian Songs | Neevu Chesina | Latest Telugu Christian Songs 2021 | New Jesus Songsįriends Our New Kids Channel Plz Subscribe & Support :
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